The second piece of the canceled fantasy VR title. The first level of the game was a huge crypt/dungeon/catacombs area sometimes with narrow corridors, sometimes with greater halls. I thought recording and publishing a 30 minutes long ambient static piece would have been weird. So I rather wrote a tour-like experience with musical notes to guide the listener to an uncomfortable, dangerous and sometimes scary space. All those small different parts of the song could be events that trigger in a certain tomb, or facing a certain enemy type, or just to make the player a little bit uneasy while wandering in the catacombs.

This boss fight theme supposed to be the level boss music of the same fantasy VR game. The intro would have been the boss level area theme, and at the start of the fight the rock music came in. My branching led me to this high-stakes feeling, epic fight music.  Naturally the music would change in a way to fit in the game perfectly, but without an actual game I could let myself write a song with this dynamic impulse to showcase some of my skills.

I was hired to write a simple, looped music for a hypercasual puzzle-platformer mobile game in 2020. The request was a chill, few instruments music. This is how this "Puzzle chill" track was born. It is a 2:40 long looped music. The game is unreleased, not in development anymore, but I got permission to use the test version footage of the game.  The game is the property of Gábor Ócsai.

In 2020 I was asked to write music for a short directed by Máté Holdosi, and then I became the 'main actor' of the small project as well. Some parts of the music were used in the short film, but I had a concept idea about a whole ambient/chill EP, so eventually 'Waves of possibilites' came to existence with three tracks.

These ideas are one of my first piano melodies I wrote a few years back, and I wanted to show a different style than the ones listed above. So I recorded this dramatic emotional flow.